WKU Events

The first step in your global learning journey! Our Go Global: First Steps advising sessions are here to walk you through:

• Understanding the benefits of partcipating in study abroad & other global learning opportunities
• Learning about program options and how to choose the right program for YOU
• Defining your global learning goals (academic, professional, and personal) and narrowing down programs to match those goals
• Navigating the study abroad process
• Starting your funding plan
• Connecting to more resources

Critical Race Theory in Kentucky: What is it and why is it the "Bogeyman" in the classroom? 

Panel discussion with moderator Dr. Andrew Rosa, Associate Professor, History, WKU; Dr. Jeffrey Budziak, Assistant Dean, Political Science; Dr. Sophia Arjana, Associate Professor, History and Dr. Amy Cappiccie, Professor, Social Work. Panelists will introduce and discuss Critical Race Theory and why the flurry of bills, resolutions, and other legislative actions have sparked debates over the role of teaching race in America. Panelists will reflect on whether the "problem" of Critical Race Theory truly exists in the classroom and the origins of these political movements to control school curriculum.

Sponsored by the Kentucky African American Heritage Commission.

Location: Kentucky Museum 

For more about WKU Volleyball, visit https://wkusports.com/sports/womens-volleyball

To most people, jazz funerals are a mystery.

In 2005, writer and videographer Deb Cotton leaves “hard-hearted Hollywood” for New Orleans, and becomes a chronicler of the parading club culture spawned by the legacy of funerals with music. This tradition is carried by the prolific clarinetist Michael White, renowned for playing “the widow’s wail” in sorrowful dirges. When Hurricane Katrina hits, White loses everything in the catastrophic flooding. In his struggle to rebuild, White becomes an everyman, embodying the resurrection spirit of jazz funerals.

Deb and Michael take us on a journey into the city’s past, searching for answers in the face of tragedies both present and past.

As Deb follows the parading culture through the aching recovery, Michael explores his ancestral roots in the dawn of jazz. The danced-memory of enslaved Africans charges a reimagining of antebellum Congo Square, juxtaposed with the grandeur of European marching bands. With burial pageants as a mirror on the city’s history, the film hits a violent turning point at a parade shooting, plunging Deb and Michael into a search for the city’s soul.

Free tickets are available at capitolbg.org. After the screening, a Q&A with filmmakers will be offered.

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