Example Calendar

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

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In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Department of History: Galentine’s Day Vintage Board Game Night.

The Department of Art & Design invites you and your students to: Pink Hemorrhage an exhibition of work by visiting artist Danielle Mužina.

Open to the Public | Followed by Closing Reception in Gallery

Danielle Mužina is an artist and educator from Cleveland, Ohio. As an artist, she makes paintings that explore place, identity and crisis, inspired by her experiences as a member of a family that immigrated from Croatia. She received her B.F.A at Ohio Wesleyan University, her M.A. at Eastern Illinois University, and her M.F.A. at Miami University. Mužina has studied at the Jerusalem Studio School in Civita Castellana, Italy, and completed residencies at Chautauqua School of Art, the Vermont Studio Center, and The Sam and Adele Golden Foundation.

PINK HEMORRHAGE envisions heightened parallel worlds in which women reckon with personal and communal agency amidst crisis and uncertainty. The paintings ask questions about the impact of gender performance and trauma on relationships, selfhood, and experiences of space, supported by the amplified intensity permitted within an apocalyptic setting. My immigrant grandmother, reflecting on witnessing national crises in our home of former Yugoslavia, tells me “to pay attention when the sky’s bleeding even if someone tells you it’s not.” These paintings grapple with the roles figures play actively or inactively, together or divided, in both contributing to and addressing internal and external crises.