January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 7 – February 16; Meena Khalili and Brent Dedas: remaking language: dissection and transformation

This project is an investigation into the recontextualization of typography. Graphic Design students from Virginia State University and Studio Art students from Western Kentucky University will collaborate to construct a language of marks from an original typographic source. The exhibition will display of a series of large works on paper resulting from the construction.

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

January 26 – February 25; Andréa Keys Connell: Being With

This exhibition showcases the work of figurative ceramic artist Andréa Keys Connell. She states “I build my figures hollow, constantly pressing the clay from the inside outward. This constant pressure that I apply informs the figure’s shape, gesture, and description of where their internal weight is carried. This internal distortion results in a body where, at moments, signifiers of gender, age, and time are dissolved.”

February 25 – April 9; Leslie Nichols: Lorum ipsum

Lorum ipsum features experiments with text by visual artist Leslie Nichols. Nichols uses a variety of found and original text to create images reflecting interests in identity, gender, social heritage, and sustainability. She is most well known for her works created on manual typewriters. Nichols earned her master's degree from WKU in 2013 and currently teaches in Department of Diversity and Community Studies.

February 25 – April 9; Leslie Nichols: Lorum ipsum

Lorum ipsum features experiments with text by visual artist Leslie Nichols. Nichols uses a variety of found and original text to create images reflecting interests in identity, gender, social heritage, and sustainability. She is most well known for her works created on manual typewriters. Nichols earned her master's degree from WKU in 2013 and currently teaches in Department of Diversity and Community Studies.

February 25 – April 9; Leslie Nichols: Lorum ipsum

Lorum ipsum features experiments with text by visual artist Leslie Nichols. Nichols uses a variety of found and original text to create images reflecting interests in identity, gender, social heritage, and sustainability. She is most well known for her works created on manual typewriters. Nichols earned her master's degree from WKU in 2013 and currently teaches in Department of Diversity and Community Studies.

February 25 – April 9; Leslie Nichols: Lorum ipsum

Lorum ipsum features experiments with text by visual artist Leslie Nichols. Nichols uses a variety of found and original text to create images reflecting interests in identity, gender, social heritage, and sustainability. She is most well known for her works created on manual typewriters. Nichols earned her master's degree from WKU in 2013 and currently teaches in Department of Diversity and Community Studies.